Watching: Taking a bumper car to the past
And sweet, animated sci-fi that isn’t for kids
Watching
May 7, 2026

Dear Watchers,

Are you telling me they built a time machine … out of a bumper car?

In this week’s genre-movie recommendations, we have two sci-fi movies that offer laughs with their heady concepts. And one indeed uses a certain amusement park vehicle as its mode of transport to the past. Our sci-fi expert Elisabeth Vincentelli praises that British film below, which takes a documentarylike approach to its shenanigans.

Her other pick this week is a queer animated space comedy with neon-tinged cosmic visuals. Both should jazz up your streaming diet and offer a little something different. Read on for more of what Elisabeth has to say about each movie, then head here for three more of her picks.

Happy Watching.

‘Time Travel Is Dangerous!’

Seven adults stand and two sit in a bumper car-style time machine, all wearing casual outfits, under a banner reading British Research Engineering and Scientific Thought Society, with colorful pennant flags above.
A scene from the sci-fi comedy “Time Travel Is Dangerous!” Emily Mudie/Level 33 Entertainment

Where to watch: Stream it on Xumo Play.

This deadpan comedy from Chris Reading has a great premise: The owners of a vintage shop travel back in time to find inventory. Shot mockumentary style, this British movie follows Ruth (Ruth Syratt) and Megan (Megan Stevenson) as they stumble on a time machine that looks like a repurposed bumper car and start using it to source trinkets for their London emporium, Cha Cha Cha (the two stars’ actual shop). In the Middle Ages, for instance, it’s easy to find pewter artifacts in mint condition because they are brand-new.

Our dingbats draw the attention of a local science club led by the autocratic Martin (Guy Henry), but the real problems start when all those trips through centuries wreck the time-space continuum and Megan ends up stuck in a “temporal sinkhole.” “Time Travel Is Dangerous!” made me think of a D.I.Y. version of Terry Gilliam at his surreal peak, and it is a sterling example of a particular kind of British humor about the foibles of eccentric characters. Fans of that style will delight in fun bit turns by Stephen Fry as a voice-over narrator and Jane Horrocks as a scary aviator.

‘Lesbian Space Princess’

A cartoon character with pink hair, green eyebrows, and purple lipstick stands in a desert landscape at sunset, holding a futuristic, colorful ray gun and smiling.
A scene from “Lesbian Space Princess.” Cineverse

Where to watch: Stream it on Fandor and Hoopla.

Don’t be fooled by the bright colors, retro-basic animation and general childlike effervescence: This Australian animated comedy is sweet, but it isn’t for young kids.

Written and directed by Emma Hough Hobbs and Leela Varghese, the film is an interstellar caper that doubles as an anthology of lesbian jokes — for example, Princess Saira (voiced by Shabana Azeez of “The Pitt”) falls so hard for the bounty hunter Kiki (Bernie Van Tiel) that she is basically ready to rent a space U-Haul after dating for a couple of weeks. This is too much too soon for Kiki, who dumps Saira and then is promptly kidnapped by “straight white maliens” (Mark Samual Bonanno, Broden Kelly and Zachary Ruane, of the comedy group Aunty Donna).

Naturally, our princess goes on a quest to find Kiki, accompanied by the guitar-wielding Willow (Gemma Chua-Tran) — yes, there are songs. Zaniness ensues, with wall-to-wall nods to lesbian culture, as when Saira’s ship computer (Richard Roxburgh) asks about the sex scene in “Blue Is the Warmest Color.”

EXTRA-CREDIT READING

A full-length portrait shows a man in a brown suit over a white shirt. He’s posed with hands in pocket against a shadowy red background.

Dana Scruggs

Tony Leung Doesn’t Want a Challenge. He Wants a Director He Can Trust.

The star often refuses roles unless he clicks with the filmmaker. That’s how he came to work with Wong Kar-wai, Hou Hsiao-Hsien and now Ildiko Enyedi.

By Carlos Aguilar

A woman with short blonde hair, wearing a light blue sweater over a white collared shirt, stands between hanging clothes and holds a pair of scissors upright with both hands, smiling.

Savoy Pictures, via Everett Collection

Critic’s Notebook

‘Serial Mom’: The Mother’s Day Movie for Our Times

In this parody of the true crime genre, a mother with murderous tendencies reflects on the hard work and thankless sacrifices that go into parenting.

By Dina Gachman

Article Image

20th Century Fox; 20th Century Studios

Critic’s Notebook

‘The Devil Wears Prada’ Then and Now: Why It Hits Differently

The film’s portrait of the work lives of a young journalist and a top editor holds lessons for us. It’s just that the lessons have changed with time.

By Alissa Wilkinson

A woman in a green-and-blue-striped shirt with a long string of white beads holds up a red skirt in a closet full of clothes.

Thea Traff for The New York Times

How 7 Looks for ‘The Devil Wears Prada 2’ Came Together

The film’s costume designer, Molly Rogers, who also worked on the original, shared the inspirations for some of her favorite designs.

By Sarah Bahr

Side-by-side images of a woman and a man.

Evan Agostini/Associated Press

Is the Blake Lively v. Justin Baldoni Legal Fight Over? Not So Fast.

Lawyers for Ms. Lively and Mr. Baldoni have said the two sides settled much of the contentious dispute. But one major disagreement remains.

By Julia Jacobs

If you received this newsletter from someone else, subscribe here.

Need help? Review our newsletter help page or contact us for assistance.

You received this email because you signed up for Watching from The New York Times.

To stop receiving Watching, unsubscribe. To opt out of other promotional emails from The Times, including those regarding The Athletic, manage your email settings.

Subscribe to The Times

Connect with us on:

facebookxinstagramwhatsapp

Change Your EmailPrivacy PolicyContact UsCalifornia Notices

Zeta LogoAdChoices Logo

The New York Times Company. 620 Eighth Avenue New York, NY 10018