Movies Update: The forecast: cloudy with a chance of “Thunderbolts*”
Plus, so much Nicolas Cage, so little time.
Movies Update

May 2, 2025

Hey, movie fans!

If you’re ready for more Marvel (and Marvel sure hopes you are), the first of two summer-season movies from that studio has landed. In “Thunderbolts*,” a rough and tumble collection of superhero-esque figures comes together when the world gets dark. In her review, Manohla Dargis calls it “fitfully amusing, sometimes touching and resolutely formulaic.” We’ll take it!

Our critic has much more solemn words for another release this week: “Rust,” the Alec Baldwin-starring western whose cinematographer, Halyna Hutchins, was fatally shot on the set. Dargis wrote, “In truth, this is no longer an ordinary movie; it is, rather, a deeply depressing coda to an appalling and entirely preventable tragedy.”

For something completely different, there’s “The Surfer,” which pits Nicolas Cage against a group of angry wave enthusiasts. And surprise, things get weird. The critic Alissa Wilkinson uses the occasion of this release to talk about some of Cage’s best screen performances.

And we have plenty of movie recommendations for at-home viewing this week. A few come from Paul Feig, the director of the streaming comedy-thriller “Another Simple Favor.” A few are for lovers of breakneck action movies like “Havoc.” A few are international. And a few are for the kids.

Enjoy the movies.

CRITICS’ PICKS

Article Image

Oscilloscope

Critic’s Pick

‘Vulcanizadora’ Review: Guilt Trip

Two midlife losers reckon with past mistakes on a despairing and oddly haunting trip into the woods and out of their heads.

By Jeannette Catsoulis

A man, a girl and a woman sit in a convertible with the countryside behind them.

Greenwich Entertainment

Critic’s Pick

‘Bonjour Tristesse’ Review: Goodbye Girlhood

Durga Chew-Bose boldly reimagines a work once adapted by Otto Preminger in her beguiling first film set on the French Riviera.

By Natalia Winkelman

ANATOMY OF A SCENE

Two men, one with a mustache and beard, hold each other closely with distressed expressions as they look into the distance. The scene is dimly lit with a warm, orange glow, suggesting tension or fear.

Warner Bros. Pictures

Anatomy of a Scene

Conjuring the Past and Future of Black Music in ‘Sinners’

The writer and director Ryan Coogler narrates a sequence from his film.

By Mekado Murphy

MOVIE REVIEWS

A woman wearing a wide-brimmed striped hat and a black and white outfit walks down a grand staircase with ornate black railings in an elegant, white-walled building.

Lorenzo Sisti/Amazon

‘Another Simple Favor’ Review: Big Hats and Big Intrigue

The sequel to the deranged 2018 comedy finds Blake Lively and Anna Kendrick feuding in the Italian sun.

By Alissa Wilkinson

A man in a wet suit stands next to a man in a red hoodie. Both are seen through the opening of what looks like a tent.

Roadside Attractions/Lionsgate

‘The Surfer’ Review: Catching a Wave, and Catching Hell

Nicolas Cage plays the title role in this punishing beach drama, where an aggressive group of surfers advise him the spot is for “locals only.”

By Glenn Kenny

In a movie still, a man with a red electric guitar slung around his body reaches his hands out. Next to him is a microphone stand.

Utopia

Documentary Lens

‘Pavements’: A Sly Ode to the Last Band You’d Give the Biopic Treatment

Part spoof and part serious, the film is about mythmaking as much as it is about music. The result is delightfully destabilizing.

By Alissa Wilkinson

A woman with blonde hair and glasses sits at a table, working on a laptop. There is a cup and a notebook nearby, and a painting of a person in a blue dress hangs on the wall behind her.

Damir Sagolj/Decal Releasing

‘Words of War’ Review: Portrait of a Fearless Reporter

The Russian journalist Anna Politkovskaya is the subject of a film that honors her bravery.

By Ben Kenigsberg

A woman in a lavender dress stands next to two men in formal attire. Behind them is a stage lit in a hazy purple.

Matt Plaxco/Entertainment Squad

‘Lavender Men’ Review: Daring to Reimagine ‘America’s Daddy’

A writer rethinks queer history through Abraham Lincoln’s political ambitions, but needs a few present-day edits.

By Chris Azzopardi

A man in a chambray shirt stands looking toward a small TV set up on a paved path that leads to an American flag in a park.

Dark Sky Films

‘A Desert’ Review: Motel Hell

A washed-up photographer finds himself embroiled in an eerie mystery in Joshua Erkman’s strange, singular thriller.

By Calum Marsh

Four people sit on a red couch, in dressed-up attire, eating cupcakes. A lavish table with candles and plates lies before them. The ornate room’s detailed wall designs help create a dramatic atmosphere.

Level 33 Entertainment

‘Electra’ Review: Not Exactly a Unicorn

In Hala Matar’s stylish if somewhat vacant drama, flair trumps grief.

By Lisa Kennedy

NEWS & FEATURES

Article Image

Pedro Almodóvar Through the Eyes of Julianne Moore, Tilda Swinton and 7 Other Stars

In advance of a gala celebration of the director’s career, we asked nine actresses about working with the auteur. They painted a picture of a precise artist.

By Carlos Aguilar

A man holds his hand to his cheek. Projected behind him on a screen, another man makes the same gesture.

Utopia

‘Pavements’ Blurs Fact and Fiction to Reimagine a Band’s Legacy

The director Alex Ross Perry said Stephen Malkmus of Pavement told him to “avoid the legacy trap.” The result is a music documentary with made-up elements that really existed. What?

By David Renard

A man onstage wears a yellow Stratocaster and waves his hands in the air. He’s sporting striped overalls over a black shirt with large white polka dots.

Valentin Flauraud/EPA, via Shutterstock

Buddy Guy on ‘Sinners’: ‘This May Help the Blues Stay Alive’

The guitarist and singer, who turns 89 in July, discusses his role in Ryan Coogler’s musical horror drama and his promise to Muddy Waters and B.B. King.

By Mesfin Fekadu

Pope Francis holds Martin Scorsese’s hand between his own as both smile and a man with a clerical collar looks at Scorsese.

Vatican Media, via Reuters